Happy to have my first byline in Washingtonian magazine, an oral history of the Belmont TV jingle (“Whatever you want, think Belmont!”)

This extends my previous trifecta with Washingtonian. For several years, my band played the magazine’s annual “Best & Worst” gala, a swanky soiree based on its issue celebrating and castigating what the editors considered the high and low points of D.C. culture. The live event featured only the high points, where “Best” winners, mostly restaurants, were invited to host a booth and offer their wares. My band, I should note, was certainly not the best in D.C. Not sure how we got the gig, but they were usually fun.

As for low points, my group, Travesty Films, was once named the “Best Vanity Project” for our crowd-pleasing though admittedly low-brow comedy films. Thanks, I guess.

And then one year I was invited to be a judge for the Best & Worst issue, lending my expertise to the category of Best Movie Theater Popcorn. Arch Campbell was also a judge. We set up at the Uptown Theater to sample the snacks, including some microwave popcorn, which I didn’t think should have qualified. I can’t remember who we gave the prize to, but I recall being underwhelmed by all the options. For the record, the best movie popcorn was at the old Cineplex Odeon Wisconsin Avenue, which proudly boasted real butter — until the scolds at the Center for Science in the Public Interest released a “study” that declared buttered popcorn to be a health hazard. Cineplex countered with a statement pointing out that most Americans only go to the movies a few times a year and thus were hardly in danger of contracting heart disease from the multiplex. And then the company caved and changed the recipe to the same dreck as everyone else. Thanks, “science”!

As is often the case in journalism, one learns as much about oneself as the subject of one’s article. Though I’d been listening to the jingle for its entire 40-year history, I didn’t realize until I made the calls that I knew everyone in the band: Pete Kennedy on guitar, Shannon Ford on drums, high school classmate the late, lamented Wade Matthews on bass, and Jon Carroll and Margot Chapman on vocals.

Anyway, the article was fun to do. I got to use my clever Olympus TP-8 Telephone Pick-up Microphone, which I picked up after learning that Ryan Lizza used one to record his insane conversation with disgraced political nutjob Anthony Scaramucci.

Click the link to get the earworm stuck in your head all over again. You’re welcome.